My affinity for trees is another mystery to me. Sure, trees are pretty and if you are lucky to live in a four-season state, province, or town, you get to see wonderful color changes of trees. But, that isn’t it for me-most people appreciate a beautiful tree in all its changing glory. For me, it is something deeper, more rooted that begs for an answer that I have never been able to find. It seems to be a pattern, much like my love for Scotland; unconsciously making choices and decisions which lead me to a better understanding. Rather than just, “I like trees and Scotland, therefore I will write about them.”
Here is a really good example. I elected to take as my last class of undergraduate research, a seminar course on J. R. R. Tolkien. We discussed everything from the Silmarillion to The Lord of the Ring series. When it came time to choose my paper topic I noticed that trees were infused throughout all of his work. I remember a very stressful period while thesis hunting. I was so close but I could not wholeheartedly wrap my head around dispassionate contention. It came to me quite beautifully as I was reading through some information on G.K., a writer and close friend of Tolkiens:
I mean that a tree goes on growing, and therefore on changing, but always in the fringes surrounding something unchangeable. The innermost rings of the tree are still the same as when it was a sapling; they have ceased to be seen, they they are still central. When a tree grows a branch at the top, it does not break away from the roots at the bottom; on the contrary, it needs to hold more strongly by its roots the higher it rises with its branches. That is the true image of the vigorous and healthy progress of a man, a city, or a whole species. GK. Chesterton.
From this point, I had my thesis and a big paper to write. Basically, I argued that Tolkien elaborated on Chesteron’s concept of trees and embraced this philosophy in the Lord of the Ring Series, comparing tree to man in the Fellowship in regard to mankind, growth, beginnings, ends, and journeys, all steeped in traditional and historical symbolism. I think Niggle would agree too-of course after he finally finished his painting.